Oh oh!

I listen to a lot of Feist. Perhaps way too much Feist. It kinda goes in circles like all my sonic addictions, revolving for some time then spinning off for a while but Feist has been persistent company now, on high rotation ever since I discovered her lovely songs back in 2005. She’s cheeky, funny, honest and at times, melancholy too. But all the while, I’ve been her loyal fan and yet I’d never bothered to watch any of her videoclips, at least until tonight. Well, what can I say except that she has stolen my cheesy dance moves and it just will not do. I love you Feist but I want back what is rightfully mine! I submit to you article number 1 for evidence:

http://link.brightcove.com/services/link/bcpid716091984/bctid751384420

Now, she might be able to wear shiny blue glitterati boob tube jumbsuits but those hip flicks can’t be hers. They can’t!

It gets worse. You’d might as well see it for yourself. Each dorky step, snap of the finger, flick of the wrist, silly come hither looks. Yes, she somehow copied and then had to go and elaborate on the style. I know when to gracefully admit defeat. Watch and weep my dear friends…

While you’re at it, you’d might as well enjoy this one too (best reference of Princess Laila meets jetset ever).

James Pants reviewed

james_pants.jpg

James Pants - funny name, funny guy and a perhaps not-so-funny review of mine over at Cyclic Defrost for issue #20. Get your electro-space boogie on over there and check it out.

Beach House article for Cyclic Defrost

It’s that lovely time of year again, when Cyclic Defrost comes up with the glossy printed version of goodness. This time I interviewed the wonderful band Beach House who are dear favourites of mine. I’m sure it shows. My good friend Jon who often contributes to Cyclic Defrost is also gracing the pages, this time for the release of his band ii’s new album. Give it a read. 

Demons at Dusk

Last week I had an addictive couple of nights in, tucked up in terror and suspense whilst reading my way hungrily through Peter Stewart’s tale of The Myall Creek Massacre, ‘Demons at Dusk’. It’s an unpalatable story about the darker recesses of Australian settler society and the treatment of Aboriginal People, in this case the Gamillaroi people, or a small group of elders, women and children camped at the Myall Creek Station that my ancestor William Hobbes ran in his role as superintendent. When I was digging through my own family history a few years back I developed a great interest in this man and the story of Myall Creek.

At the time I was gainfully employed with the NSW Reconciliation Council and on my own personal journey of discovery which took me to the site of the Myall Creek massacre that year. There were so many questions that remained but it felt important to be there, with the small crowd that gathered, to memorialise the pain and sorrow, to celebrate survival and a new dawn. Now years later this book has helped enormously to fill in the blanks. It’s as true to ‘real events’ as one can possibly be when writing nearly 200 years after the event and enormously accessible. The language isn’t flowery and academic, which is a good thing as it’s one that should reach a wide audience and not alienate those that would not normally read a long-winded historical treatise.

For good or bad, the Myall Creek Massacre site is now well and truly a part of my being, an event which in some small part helped to create the person I am today. I don’t believe it is a coincidence that my ancestor at Myall Creek was an Aboriginal sympathiser who lost his reputation and livelihood in the effort to stand up for what he believed was right and humane. Nor that my great-grandmother was born on a mission not too far from that site but her story will never be told because according to colonial administration she didn’t really exist. When attempting to help my grandmother trace her mother’s records a researcher at the NSW Department of Aboriginal Affairs told me, “it’s certain that she was Aboriginal because her records aren’t in the database”.

This is the kind of circumstance that led to my grandmother being placed into the ‘care’ of the State at Pallister Girls home. She’s one of the Stolen Generations and how I wished to be watching Kevin Rudd’s ‘apology’ speech with her. Needless to say, this is an exciting new chapter for the history books, even if it was muddied by Brendan Nelson’s hodge podge of insincere nonsense. My mother now develops and delivers culturally appropriate health programs for Aboriginal people incarcerated across NSW. Making regular visits to infamous jails like Long Bay is all in a days work for her. I once randomly ran into a former colleague of hers at a Survival Day event on what is otherwise known as Australia Day. We got to chatting to pass the time in the line-up for kangaroo burgers as her friend informs me that she’s ‘out there doing really good things for our people’. She takes so much joy in charming the inmates with her warm character and knock ‘em dead smile and in her history as a nurse and healer, she’s always done inspirational things in bringing comfort to often lonely people.

For me to have arrived at the end of this chain of men and women means there’s a passion for justice, honesty, truth and understanding that will never be quenched and in my lifetime I will experience very different things, all rooted in the successes and failures of the past.

kids at myall creek memorial
The kids are living proof that some things should never be left unsaid. These are the things they know, handed down through the ages. Here they are at the Myall Creek Memorial stone, 2005.

Lust, Caution

‘Lust, Caution’ is the saucy title of Ang Lee’s latest on-screen masterpiece. Clocking in at nearly 3-hours long, it’s no mean feat to retain an audience’s interest for that long. So did he pull it off? You betcha. It’s a thoroughly engrossing journey of intrigue and deception exploring the will of the human spirit to remain loyal to one’s convictions.

Lust, Caution movie poster

The setting is suffocating with most of the action occuring indoors. Sure there are the occasional cuts to the street that remind of the broader context happening in the world outside where Japan has recently invaded China, raped Nanjing and spread militaristic wings onward to Shanghai. Inside, behind closed doors there are many-layered conversations as calculated and strategic as the next Mahjong move needs to be. The revolutionaries are fighting the ‘traitors’ who are furthering their interests under a Japanese regime and the stakes are high - one slip up and they’ll pay with their lives.

Now, how can you possibly infiltrate the enemy without the aid of a femme fatale to get under the skin of the targeted? So there explains the title. There is lust, plenty of it, with a diverse array of sex scenes, mostly treading an uncomfortably grey line between rape and consent. This is films battlefield, where the true horror manifests. Occasionally there glimmers a flash of what appears to be genuine mutual love, disturbing the separation of the ‘act’ from real emotion. The moral outcome of this coupling of passion and politics being that the sense of right and wrong, good and evil is fluid. Mistakes and virtues can’t belong to one side alone as they’re simply part of what it means to be human.

Ang Lee made this film specifically with a Chinese audience in mind which is exactly the reason why ‘Lust, Caution’ is so good. It retains all it’s subtleties, it doesn’t seek to explain but buries each frame with detail to ponder at a natural feeling slow pace. In effect, it hasn’t been damaged in production by the Hollywood machine yet it remains thoroughly accessible to others who are prepared to see it through to the end. I should also mention that the English translation appears to have captured the poetics of the Chinese language rather well, absorbing to the point where I simply forgot I was even reading subtitles.

I highly recommend this film. Takes some snacks and something woolly for extra comfort, you won’t regret it.

Liberation!

Smell the freedom from Facebook! I just deleted my account and boy it feels good. There goes one more useless distraction in my life. Oh happy days. If you’re thinking you need extra reasons to leave Facebook too then I highly suggest a bit of light reading over at The Guardian: With Friends Like These…

How close is too close?

I’ve just been reading the following article: How email brings you closer to the guy in the next cubicle. It discusses how technology has not necessarily precipitated a ‘working from home movement’ but rather it enhances our existing relationships, keeping those in proximity close. I had to have a chuckle however when I read the title because it reminded me of a close encounter that my partner had in the Sydney Airport mens department. A fellow sidled up to the trough next to him and began more than the usual business performed in public toilets. In addition he was cradling his laptop and composing email.

Now I’ve never grokked the attraction of reading on ‘the can’ that is so popular with menfolk throughout the ages (perhaps there are some womenfolk who can attest to it’s delights also?) but this just takes multi-tasking to a new and obscene level. When someone pulls out their laptop at the next meeting I shouldn’t have to wonder ‘where it’s been’! Please don’t tell me this is the future of business travel.

Copy this…

I’m now back at work and well into the New Year. I’ve been reading a lot over my holiday break but I have to admit that the Attorney General’s Department takes the award for the most ludicrous fact sheet outlining the most ridiculously prohibitive law. Just when I thought we were making leaps and bounds in the enlightened use of copyright, with initiatives like copyleft and creative commons, the Australian Government hits us with copyright and marriage celebrants.

Now we need permissions for music that is in copyright (mostly applies to music post 1955), in the form of many licenses for separate organisations to do the following:

  • Sing/play your favourite song at the reception
  • Play your compilation CDs
  • Borrow music from your friend’s CD collection for the party
  • Film/video the party if there is music playing (even in the background)
  • Film/video the priest/celebrant ‘performing’ the ceremony
  • Distribute sheet music to musicians

And the most amusing of them all, traditional hymns require a ‘worship license’. Are they for real? This reads like satire to me. One thing I don’t understand is why a marriage ceremony and reception is not considered ‘private’ or ‘domestic’? How is an invite-only celebration of a couple’s love for each not domestic?!

NY girl of my dreams

No, I’m not in love with her silly billy. But what a great way to attract love, it’s novel and interesting, plus the guy has got serious comic scribble skills. Respect.

http://www.nygirlofmydreams.com/

Welcome to the new site

Hi kids, I’ve finally gotten around to relaunching another blog, on the shiny new site missnae.net. Unfortunately, I’ve lost a lot of my old blog data since 2003 when I first started experimenting with the form but I tend to see this as more like a new haircut, or a change of residence - out with the old, in with the new. A few of the more recent posts lived through the process and you’ll find them below. Happy reading!
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